Douglas Kearney has published six books, most recently, Buck Studies (Fence Books, 2016), winner of the CLMP Firecracker Award for Poetry and silver medalist for the California Book Award (Poetry). BOMB says: “[Buck Studies] remaps the 20th century in a project that is both lyrical and epic, personal and historical.” His collection of writing on poetics and performativity, Mess and Mess and (Noemi Press, 2015), was a Small Press Distribution Handpicked Selection that Publisher’s Weekly called “an extraordinary book.” His third poetry collection, Patter (Red Hen Press, 2014) examines miscarriage, infertility, and parenthood and was a finalist for the California Book Award in Poetry. Cultural critic Greg Tate remarked that Kearney’s second book, National Poetry Series selection, The Black Automaton (Fence Books, 2009), “flows from a consideration of urban speech, negro spontaneity and book learning.” Someone Took They Tongues. (Subito Press 2016) collects several of his libretti, including one written in a counterfeit Afro-diasporic language of which M. NourbeSe Philip writes: “[it] meets the anguish that is english in a seismic, polyphonic mash-up that disturbs the tongue.” He was the guest editor for 2015’s Best American Experimental Writing (Wesleyan). He has received a Whiting Writer’s Award, residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. His work has appeared in a number of journals, including Poetry, nocturnes, Pleiades, Iowa Review, Boston Review, and Indiana Review; and anthologies, including Resisting Arrest: Poems to Stretch the Sky, Best American Poetry, Best American Experimental Writing, Of Poetry and Protest, Wide Awake: Poets of Los Angeles and Beyond, The Breakbeat Poets, and What I Say: Innovative Poetry by Black Poets in America. Raised in Altadena, CA, he lives with his family in California’s Santa Clarita Valley. He teaches at CalArts.
Photo by Eric Plattner